So I basically wrote this straight through, and it hasn't been edited. If it makes absolutely no sense, then that's probably why. Enjoy :)
She wants it again at times—the burning
blindness of staring straight into the sun.
When she was much younger, she and
her little brother would see who could look at the sun for the longest without
blinking. She always won, and even after her brother had been sitting on the
grass rubbing his watering eyes for several minutes, she’d keep her burning
gaze fixed on the sun.
Could it take me away, she
wondered, pull me up like a rag doll on a string?
She imagined it for a moment: her
limbs going limp, her head lolling back like a newborn’s, being inexorably
dragged upwards in a golden beam of sunlight. Would it be liquid or solid? Perhaps
it would be soft and warm. What if it was cold—could sunlight really be cold on
the inside, if you cut to the very center of it?
You’ll ruin your eyes, her mother
told her. Stop looking at the sun. Come inside and sew like a lady.
And yet she stayed outside, waiting
for the sun to take her away.
She doesn’t notice at first; it
happens slowly, in pieces. Her porcelain skin is marred by angry splashes of
red; her freckles darken and stretch in ever-growing clusters; her blue eyes are
frosted silvery white. She is falling apart, they murmur, the sun is taking her
away. Some days she is too tired to get up, and her room is dark and silent. Some
days she wakes up early and walks to the creek, dangling her feet in the cold
water and staring into the sun with eyes wide open, because it’s the only way
she can seem to see anything anymore. She imagines the sunshine filling her
body, imagines herself glowing golden with it.
She is falling apart, it is true; but
the pain of staring straight into infinity is too beautiful to surrender.
When they come for her, it isn’t a
surprise. They take her gently by the hand while she is sitting by the creek,
and she follows them blindly into a car with soft leather seats. The crisp
white linen suit of the person sitting next to her scratches at her bare leg;
she tugs at her skirt, wondering absently whether she had worn the blue or the
yellow today. She looks down, but it’s impossible to tell; the skirt melts into
the suit melts into the blurry black leather upholstery. Her feet are bare, she
realizes, but perhaps they will give her shoes at the end of the journey.
The car stops smoothly and they get
out. They walk inside a building. The floor is cool beneath her feet—marble?
Perhaps it’s just linoleum. It’s not as if it matters.
“It’s the Moore girl.”
“Right, bring her back here. She’s in
110.”
The room is cool and dry; she
gently drags a fingertip across the walls, and finds them slick and frigid. This
cold white room is the antithesis of sunlight, of her golden infinity; then she
remembers—could sunlight be cold inside, if you cut to the very center of it?
At the center of infinity, then,
perhaps there is simply nothing.
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ReplyDeleteThis is my favorite thing ever.
Jealousjealousjealousjealousjealous.
Your imagery is GORGEOUS.
The first sentence is my favorite, but even better is just all of the sentences together. What. That made no sense. Whatever.
How do you think of these things. Why is your brain so cool.
Also, forever laughing because that is a perfect description of Room 110 sometimes. Especially when the heater was broken. Spot on. Intentional?
I LOVE THIS STORY.
Lol okay. asdfghjkl. Bye.